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Ephemerality


Ephemeralness: lasting a very short time;
short-lived; transitory;


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jeandujardin:

 

While Dujardin is almost completely silent throughout The Artist, the actor still had to speak his lines while being filmed. But since the film used cards to relate the dialogue, it didn’t matter what language he spoke. “Sometimes, I acted in English, sometimes in French,” he says. “And sometimes, I was just speaking complete gibberish.”
- Entertainment Weekly

jeandujardin:

While Dujardin is almost completely silent throughout The Artist, the actor still had to speak his lines while being filmed. But since the film used cards to relate the dialogue, it didn’t matter what language he spoke. “Sometimes, I acted in English, sometimes in French,” he says. “And sometimes, I was just speaking complete gibberish.”

- Entertainment Weekly

(via firstandamistad)

oscars!

Things I’ve seen in bold, with roughly 33 days to see all the others. 

BEST PICTURE
“The Artist,” Thomas Langmann, producer
“The Descendants,” Jim Burke, Alexander Payne and Jim Taylor, producers
“Extremely Loud & Incredibly Close,” Scott Rudin, producer
“The Help,” Brunson Green, Chris Columbus and Michael Barnathan, producers
“Hugo,” Graham King and Martin Scorsese, producers
“Midnight in Paris,” Letty Aronson and Stephen Tenenbaum, producers
“Moneyball,” Michael De Luca, Rachael Horovitz and Brad Pitt, producers
“The Tree of Life,” Nominees to be determined
“War Horse,” Steven Spielberg and Kathleen Kennedy, producers

LEAD ACTOR
Demián Bichir, “A Better Life”
George Clooney, “The Descendants”
Jean Dujardin, “The Artist”
Gary Oldman, “Tinker Tailor Soldier Spy “
Brad Pitt, “Moneyball”

LEAD ACTRESS
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl with the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Michelle Williams, “My Week With Marilyn”

BEST DIRECTOR
Michel Hazanavicius, “The Artist”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”
Woody Allen, “Midnight in Paris”
Terrence Malick, “The Tree of Life”

SUPPORTING ACTOR
Kenneth Branagh, “My Week with Marilyn”
Jonah Hill, “Moneyball”
Nick Nolte, “Warrior”
Christopher Plummer, “Beginners”
Max von Sydow, “Extremely Loud & Incredibly Close”

SUPPORTING ACTRESS
Bérénice Bejo, “The Artist”
Jessica Chastain, “The Help”
Melissa McCarthy, “Bridesmaids”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”

WRITING (ADAPTED SCREENPLAY)
“The Descendants,” Alexander Payne and Nat Faxon & Jim Rash
“Hugo,” John Logan
“The Ides of March,” George Clooney & Grant Heslov and Beau Willimon
“Moneyball,” Steven Zaillian and Aaron Sorkin. Story by Stan Chervin
“Tinker Tailor Soldier Spy,” Screenplay by Bridget O’Connor & Peter Straughan

WRITING (ORIGINAL SCREENPLAY)
“The Artist,” Michel Hazanavicius
“Bridesmaids,” Annie Mumolo & Kristen Wiig
“Margin Call,” J.C. Chandor
“Midnight in Paris,” Woody Allen
“A Separation,” Asghar Farhadi

Oscar Checklist Update

Whew. Considering how I started out the season I don’t think I do too badly - I’ve seen the favorites in every category at least, and nine out of ten Best Picture nominees.

I have my traditional Oscar Chinese food, and I’ve settled in to one of the Newhouse class rooms with the Oscars on the big screen and my computer open for a “working” Oscars viewing.

Actor in a Leading Role

  • Jeff Bridges in “Crazy Heart”
  • George Clooney in “Up in the Air”
  • Colin Firth in “A Single Man”
  • Morgan Freeman in “Invictus”
  • Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role

  • Matt Damon in “Invictus”
  • Woody Harrelson in “The Messenger”
  • Christopher Plummer in “The Last Station”
  • Stanley Tucci in “The Lovely Bones”
  • Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role

  • Sandra Bullock in “The Blind Side”
  • Helen Mirren in “The Last Station”
  • Carey Mulligan in “An Education”
  • Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
  • Meryl Streep in “Julie & Julia”

Actress in a Supporting Role

  • Penélope Cruz in “Nine”
  • Vera Farmiga in “Up in the Air”
  • Maggie Gyllenhaal in “Crazy Heart”
  • Anna Kendrick in “Up in the Air”
  • Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film

  • “Coraline” Henry Selick
  • “Fantastic Mr. Fox” Wes Anderson
  • “The Princess and the Frog” John Musker and Ron Clements
  • “The Secret of Kells” Tomm Moore
  • “Up” Pete Docter

Directing

  • “Avatar” James Cameron
  • “The Hurt Locker” Kathryn Bigelow
  • “Inglourious Basterds” Quentin Tarantino
  • Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
  • “Up in the Air” Jason Reitman

Music (Original Score)

  • “Avatar” James Horner
  • “Fantastic Mr. Fox” Alexandre Desplat
  • “The Hurt Locker” Marco Beltrami and Buck Sanders
  • “Sherlock Holmes” Hans Zimmer
  • “Up” Michael Giacchino

Best Picture

  • “Avatar” James Cameron and Jon Landau, Producers
  • “The Blind Side” Nominees to be determined
  • “District 9” Peter Jackson and Carolynne Cunningham, Producers
  • An Education” Finola Dwyer and Amanda Posey, Producers
  • “The Hurt Locker” Nominees to be determined
  • “Inglourious Basterds” Lawrence Bender, Producer
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
  • “A Serious Man” Joel Coen and Ethan Coen, Producers
  • “Up” Jonas Rivera, Producer
  • “Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Visual Effects

  • “Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
  • “District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
  • “Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)

  • “District 9” Written by Neill Blomkamp and Terri Tatchell
  • “An Education” Screenplay by Nick Hornby
  • “In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
  • “Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
  • “Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)

  • “The Hurt Locker” Written by Mark Boal
  • “Inglourious Basterds” Written by Quentin Tarantino
  • “The Messenger” Written by Alessandro Camon & Oren Moverman
  • “A Serious Man” Written by Joel Coen & Ethan Coen
  • “Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
Coming in just under the Oscar-wire, I just finished watching An Education, which I loved.
Also it completely solidified my newly forming girl-crush on Carey Mulligan.
“Maybe our lives are always going to end up with pony essays. Or housework. And yes, maybe we’ll               go up to Oxford. But if we’re all             going to die the moment we graduate, maybe it’s what we do               before that counts.”

Coming in just under the Oscar-wire, I just finished watching An Education, which I loved.

Also it completely solidified my newly forming girl-crush on Carey Mulligan.

“Maybe our lives are always going to end up with pony essays. Or housework. And yes, maybe we’ll go up to Oxford. But if we’re all going to die the moment we graduate, maybe it’s what we do before that counts.”